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07.28.10 Hot & Hazy Wedding Daze

Cloudy skies are a photographers dream on wedding days. The soft light is gorgeous, but most importantly, the outside background options become unlimited (no need to search for shady, non-contrasty light!).


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  • Colour Balance

    Light Waves
    02.01.10

    While our eyes cannot see ultraviolet or infrared radiation, these can have an effect on the image produced by both digital sensors and film

    Summary of Primary Colours
    01.29.10

    When do you use RGB, CMYK and YRB?

    Hue/Saturation in PhotoshopCS4
    01.27.10

    Here are the steps to begin playing with Hue/Saturation in Photoshop CS4…

    Colour Balance in PhotoshopCS4
    01.25.10

    Here are some simple steps to begin learning how to achieve correct colour balance using Adobe Photoshop CS4…

    What is Colour?
    01.20.10

    The three primary colors of light or Additive Colours are red, green, and blue (RGB)…

    Subtractive Colour
    01.19.10

    Subtractive Colours are CMYK with the”k” standing for black.

    Hue Saturation and Lumiance
    01.19.10

    To accurately describe colors for color matching, especially when we delve into    the world of digital imaging and color management, we need a more reliable  method. In order to describe a specific color, we need to break it down into three    elements:Hue: the name given to the color itself. This is defined by [...]

    Additive Colour
    01.19.10

    The three primary colors of light are red, green, and blue (RGB). Combinations of these building blocks can be used to produce all of the colors in the visible spectrum, and equal amounts of all three produce white light. Because these colors are added together to make white, they are known as additive primaries. Mixing [...]

    Colour Scheme Designer
    01.19.10

    This is an amazing, interactive website for matching colours.http://colorschemedesigner.com

    What is the Kelvin Scale?
    01.19.10

    Have you noticed your photographs have a blue hue to them when photographing in the shade or a red/orange hue when photographing inside near tungsten lighting?